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[alternative folk, experimental] (2019) Michael O'Shea - Michael
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Audio > FLAC
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flac indie
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2019-02-17 12:20:57 GMT
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(2019) Michael O'Shea - Michael O'Shea (1982, Reissue)

Review: 
In Albert Camus’ 1942 essay The Myth of Sisyphus, he wrote of modern life: “At any street corner the feeling of absurdity can strike any man in the face.” Bleak stuff — but the miracle of living in a bustling metropolis is that unexpected, life-changing encounters are possible, too. Take the example of Laraaji, just an unknown street musician busking in Washington Square Park in the late 1970s when Brian Eno dropped a business card in his zither case. Laraaji went on to become one of the luminaries of ambient and new age music. 
Not long after, a similar encounter happened at Covent Garden in London’s West End, where the busker Michael O’Shea made the acquaintance of Wire’s Bruce Gilbert and Graham Lewis. Spellbound by his street-corner performance on a homemade stringed instrument, Gilbert and Lewis told him to drop by the studio anytime. Nearly two years later, O’Shea showed up unannounced; they recorded on the spot. Wire put out the results on their experimental label, Dome, in 1982. It would be O’Shea’s lone release and quickly became scarce. Thanks to Dublin label All City’s AllChival imprint, Michael O’ Shea’s singular music returns, its mystery wholly intact. O’Shea, who came of age in London in the 1960s, got his start playing harmonica before traveling as a relief worker during the Bangladesh famine crisis of the early ’70s. While there, he contracted hepatitis and dysentery, teaching himself sitar during his convalescence. His nomadic lifestyle took him to Germany, France, and Turkey, where he brushed up against Algerian, Indian, and other strains of music. His travels also led him to sell off all of his instruments, but he came across an old door and set about festooning it with strings to craft a homemade instrument that variously evoked comparison to a dulcimer, zelochord, or sitar. O’Shea played its 17 strings with a pair of chopsticks and ran it all through a battery of effects. He called the thing “Mó Cará,” or “my friend” in Gaelic. 

Tracklist: 
01 - No Journey's End.flac 
02 - Kerry.flac 
03 - Guitar No 1.flac 
04 - Voices.flac 
05 - Anfa Dásachtach.flac 

Summary: 
Country: USA 
Genre: alternative folk, experimental

File list not available.

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